Who is love theft

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He's part of a crew that robs banks, casinos and jewellery stores around the world. Neither realises initially that their lives have overlapped before, or that their shared history and burgeoning relationship will come to threaten everything they love. As Alex prepares for one final, daunting job, he discovers that he's not the only one with secrets - and that both of them are playing for the highest stakes imaginable.

To what end is Dylan playing these strange games in his music? Is it just to amuse himself? To confuse his fans? To achieve some kind of occult effect a la Burroughs? Maybe the mystery is the point of it all. As an independent website, we rely on our measly advertising income to keep the lights on. Our ads are not too obtrusive, promise. Would you please disable adblock? Love and Theft comes on as a musical autobiography that also sounds like a casual, almost accidental history of the country.

Relaxed, magisterial, utterly confident in every musical idiom he touches, Dylan sings all twelve songs in a voice that sounds older than he is, a grizzled con man croaking biblical blues and Tin Pan Alley valentines out of the side of his mouth while keeping one eye on the exit. Throughout, subtle changes in keys, tempos, and approaches adapt to the specific feel of each song — many of which were performed in the studio after Dylan played everyone vintage recordings by the likes of a Billie Holiday or Jimmy Rushing to establish the mood and manner he desired.

The collective went from there. The resultant arrangements fit the lyrics to a proverbial "t. Or the deceptive ease of the crooned ballad "Bye and Bye" that hides a clever kiss-off. Every song, every note matters.